Below are real-world examples of an essay's paragraphs: an introduction, a body paragraph, a concluding paragraph, and a Works Cited page.
INTRO
Below are real-world examples of an essay's paragraphs: an introduction, a body paragraph, a concluding paragraph, and a Works Cited page.
INTRO
I don't think the film has generated much response from critics, artists, comics creators, and gallerists. Two weeks ago, everybody was writing about it. Today, crickets.
Except, that is, for the United States Postal Service which has released a new set of stamps in recognition of his 100th birthday. The biography is considerably more nuanced than the film offers. Check it out here.
Here are some award-winning student essays that use MLA style impeccably. Check out how they work. Emulate.
I asked the AI bot Dalle-2 to "make a painting of art college students," and this was its output. Not great.
The following structure will work for any kind of academic or argumentative essay. It doesn't matter if it's 2 pages, 20 pages, or 200 pages. You just need to remember the acronym: IPSO.
ISSUE: What precisely are you writing about?
POSITION: This is sometimes called the "claim" or thesis statement. This does not have to appear as the final sentence of the opening paragraph, but it often finds a comfortable home there. Could an intelligent person disagree with your position? If the answer is yes, you're on the right track. If the answer is no, your position is probably too obvious.
SUPPORT: This is your evidence. It's sometimes called the "body" of the paper. Evidence does not just come from outside sources, it includes your independent reasoning and experiences.
OUTCOME: What is the way forward? Why does it matter?
The process is linear. Start at the top. Write one paragraph (it's sometimes called the "hook) that introduces the issue in an appealing and smart way. Your second paragraph should include a concise statement of your position on the issue. These two paragraphs are often referred to as the "introduction."
The "support" paragraphs are often referred to as the "body" of the essay. This is where you'll bring in your secondary sources. Use signal phrases to introduce your scholarly research. Try to embed your quotations in the middle part of the paragraph. Don't end a paragraph with someone else's words. You're driving this bus.
The final paragraph or two will represent your Conclusion. Why does it matter? So what? What's at stake?
One feature of academic conferences, especially in the sciences and social sciences, is the "Poster Session." Here are some examples from undergraduates at the University of Texas. Ours won't look anything like these text-heavy posters.
Your PDF poster will be a much simpler affair:
1. Title: (optional)
2. One Image: You can make your own or you can use someone else's as long as it's credited in a caption line.
3. One verbatim (word-for-word) quotation from another scholar that sums up your position on your chosen topic: Appropriation in Art, Censorship, or Artificial Intelligence. Remember to cite your quotation in MLA style at the foot of your poster. The quotation should be fewer than 50 words.
That's it. Combine the image and the quotation in a compelling and artful way. Remember all that you've learned in FN year. You can think of your poster as a single slide in a Powerpoint type of presentation.
Do not include your name, date, or other "standard" features of typical academic submissions.
Due: Monday, May 1 (section 2); Tuesday, May 2 (sections 1, 3, and 4).
Each student will briefly "present" their poster on the day they're due. This will only take a minute or two per student.
Upload to Populi (5 points)
Questions: csmith@dcad.edu
This document directly addresses the issues and controversies of the Fair Use Doctrine in American Copyright law when it comes to visual art.
Read the whole thing for class on Wednesday (section 2) or Thursday (all other sections).
Also read the actual wording of the law.
Quiz likely.
Your final paper of the semester will make an argument about a particular and specific debate in contemporary art culture. Should artists be free to make, exhibit, and publish anything they want? Are there limits? Where? Why?
In your 5-7 double-spaced essay (MLA format), you will make your case supported by secondary sources. This essay will be due precisely one hour before our final class meeting of the semester: May 3 for the M/W section, and May 4 for the T/R sections.
This is fairly simple if you follow directions. If you're confused or need clarification at any point, just let me know.
Each student will produce a three-page PDF document. Name your file: [initial of first name_last name.delaware contemporary.pdf]
Example: c_smith.delaware contemporary. pdf
FIRST PAGE
1) Your name and date in the upper left corner.
2) Decent (Hi-Res if possible) image of the work you selected from the exhibition.
3) Caption information for this work (see label)
SECOND PAGE
1) Hi-Res image of your new visual/art work.
2) Caption information for your work. Give it a title and be sure to record the dimensions and media.
3) Write between 3 and 10 keywords that connect your visual and literary work with the exhibited work you chose. Don't overthink this.
THIRD PAGE
Your literary text goes on this page. Single-space it. If you need a second page, go for it. Proofread.
OPTIONAL (at the end of your document)
You are free to write a short note to the curators and staff at TDC. Maybe your work needs a little bit of context.
DUE: Tuesday, April 18, no later than 5:00 pm. Upload to Populi.
Hello, Writing for the Arts Students!
This blog post contains all of the necessary information for you to successfully complete this assignment. Please read the directions carefully. Also, remember that you can always ask me questions in person or via email at csmith@dcad.edu.
Directions: Each student will choose one work of art currently on display at the Delaware Contemporary. It might be a work that you really love, or it might be a work that is just plain curious. Take photos of this work, get into the details. Also take a photo of the wall-text (label) that identifies the artist, the title of the work, the media used, size, etc. You can also sketch the work. Capture it, so you aren't reliant on your imagination. Now that you have chosen this single work, the fun begins.
Part One: Each student will create an original piece of art in any media. Your art should respond to your chosen piece. Please note, you aren't copying this work; you'll be creating a new artwork that engages with the ideas, thoughts, moods, and/or emotions that you see/feel in your chosen work that is currently exhibited at the Delaware Contemporary. For instance, you might make a short video in response to a painting or sculpture. Or you might make a painting or sculpture. The important thing to remember is that you have creative freedom. Your artwork might be digital, traditional, or a blend of the two. Take a high-res photo of your artwork. Make sure you include "caption information": What's the title of your piece? What media or materials did you use? You will be uploading this file to Populi.
Part Two: Write a literary or verbal text that also engages with the ideas you see in your chosen work. Maybe you want to write a poem, maybe a short memory about a special experience, maybe a short fable or parable, maybe a list, maybe something else entirely. This text should be no longer than 300 words and no shorter than 100 words. Proofread it carefully before uploading it to Populi.
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Each part will be graded: 10 points each.
Due: Tuesday, April 18, 5:00 pm.
This is a firm deadline.
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Here's where the "real-world" part of this exercise comes into play. Every first-year student enrolled in "Writing for the Arts" is entering a competition that will be juried by curators and staff at the Delaware Contemporary. They, and they alone, will choose the projects that best exemplify artistic and literary excellence. The chosen student artists will be invited to present their work at the Delaware Contemporary on the evening of Friday, May 5, the final day of the semester.
Here we are. This is the last time we will meet together. I'd like to thank each of you for a rewarding semester of teaching. I hope eve...